Sweating the small stuff

As one who has written fifteen novels that blend both fact and fiction, I know firsthand the importance of getting it right. Writing about time travel, after all, requires more than describing the means of travel. It requires accurately depicting the past. It requires meeting the standards of quality historical fiction.

The challenges are often daunting, particularly when writing about the recent past, as I have done on multiple occasions. When writing about places and times that are in the living memory of many readers, you have to make an extra effort to get even the little things right.

When I wrote my first novel, The Mine, a story set mostly in Seattle in 1941, a few older readers gently reminded me that chocolate-chip cookies were more commonly called "Toll House cookies" and that aluminum foil was generally called "tin foil," even after aluminum replaced tin as its primary component. Since that time, I have done what I could to ensure the historical accuracy of my books, which have spanned eras ranging from the 1880s to the 1980s.

Like many writers of historical fiction, I favor primary sources, such as newspapers, documents, letters, photographs, and oral histories. I generally find eyewitness accounts of events and eras, produced by those who lived through them, to be more compelling than even the best research compiled decades – or even a few years – after the fact.

Even so, I don't limit myself. When preparing to write about times I did not experience, I will often sample the movies, music, and literature of the day. I find it easier to describe Americans of the 1950s and early 1960s, for example, if I immerse myself in the very things that drove them to theaters, concert halls, and libraries.

On some occasions, I look closer to home. When writing The Journey, set in 1979 and 1980, and Camp Lake, my newest book, set in 1983, I relied mostly on memories of — and mementos from — my senior year of high school and my experience at a summer camp in Maine.

No matter where I turn for answers, however, I follow advice that has been around for decades. When writing historical fiction, even in the context of time travel, pay attention to details. Note the nuances and the particulars. Sweat the small stuff.